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Koren

In Koren, (meaning root) Tereza Catarov translates in music the life stories of the women from the community she grew-up in

 

In her grandmother’s language, Paulician dialect, spoken in a village of Bulgarians in Romania—there is a word that carries the weight of centuries: Nevesta.

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More than just a term for a bride, it marks a woman’s transition into another family, where she renounces her identity and takes her husband’s name. From that moment on, she is
nevesta—wife, daughter-in-law, sister-in-law, a woman defined in relation to others.


The word holds echoes of an archaic mentality, shaping her destiny as subordinate not only to her husband but also to his family—his father, brothers, mother, and sisters.

 

Within the songs Tereza's grandmother sang—songs that have preserved memories for nearly a century—nevesta carries a deep, complex resonance. These songs tell of the struggles and silent strengths of women. Their stories speak of
resistance and vulnerability in a way that still echos with the women of today.


The songs on this album are a tribute to these women—their endurance, their sacrifices, their unyielding hope. They also honor the men who fought and dreamed of a better future. 

 

This album is a homage to the voices that shaped Tereza, to the legacy they left behind, and to the unbroken thread that ties past, present and future together.​​

Tereza Catarov - voice, compositions, lyrics, arrangements
Yiorgos Bereris - piano
ErdoÄŸan Cem Evin - guitar
Thodoris Ziarkas - bass
Billy Pod - drums
Ioana Șelaru - strings (song 9)
Christos Stylianides - trumpet (songs 1, 2, 3)
Alex Simu - clarinets (song 4, 6)
Teo Catarov - voice (song 5)
Terezia Catarov - voice (songs 2, 8), lyrics, compositions

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Recorded December at Fish Factory Studio and Cowshed studio London
Simone Galizio, James Johnston - recording engineers
Alex Bonney - mixing, mastering
Production - Tereza Catarov
Graphic design - Pablo Tarantino
Cover Photo: Karolina Wielocha

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Released through PK Musik

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1. Nevesta

Nevesta was the name given to a woman when she married into a family. It was common for her to be treated as a second class citizen, forced to work, left to eat last, and generally powerless. This song portrays a “nevesta” rebelling against these impositions on her life. 
 

2. Babi's intro

This piece features a raw recording of Tereza's grandmother singing, accompanied by Christos’s Stylianides on trumpet and FX

3. Racka

This song talks about the moment of the wedding when the bride leaves her parents' house to join the groom's family. This ceremony creates an atmosphere similar to a funeral. The parents and the bride shed tears saying goodbye as the bride is leaving her home, her family, her neighbours, her friends, to become a wife in her husband’s house.

4. Du-te dor

The Romanian word “dor” is one of those words that can never be translated accurately. It describes a deep, untranslatable sense of longing, yearning, or nostalgia for a person, place, or memory

5. Hadvata

This song is named after the nickname of Tereza family and speaks about a particular custom of Palkienski weddings in the past. Wedding dresses were always decorated with golden thread embroidery, and the number of lines decorating the side of the dress identified the social class of the bride.

6. â€‹Zelèn

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This song tells a Romeo-and-Juliet-like story, where two young lovers were forbidden to be together by their families. Unable to bear the separation, they took their own lives. As in many traditional folk tales, the mystical appears: trees planted on their graves grew and eventually embraced each other—a symbol that their love endured beyond death, for eternity.

7. â€‹Măi puiuÈ› de rândune'

This is a ”doina”, a type of Romanian archaic song. Originally, ”Doina” was a song performed in solitude by an ailing singer. Strangely, by performing it, the singer healed or, at least, eased her pain.

8. Dušlo-j vreme

This song speaks of how it was usual for families to marry their daughters at a very young age. Marriages were mostly arranged based within the same social class. 

9. â€‹Am să rămân

This final song talks about the challenge of breaking free from inherited fears and learning to embrace love fully.

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